{"id":7242,"date":"2022-02-24T20:19:13","date_gmt":"2022-02-24T11:19:13","guid":{"rendered":"https:\/\/www.billtoole.net\/wordpress\/?p=7242"},"modified":"2022-04-18T20:57:06","modified_gmt":"2022-04-18T11:57:06","slug":"ching-hao-active-900-30-ce","status":"publish","type":"post","link":"https:\/\/www.billtoole.net\/wordpress\/all\/ching-hao-active-900-30-ce\/","title":{"rendered":"Jing Hao \u8346\u6d69 [ c. 855-915 ]"},"content":{"rendered":"

Pi-fa-chi (Notes on Brush Method)<\/p>\n\n\n\n
The six essentials for landscape painting, according to the sage, are :<\/p>\n

\u6c23 Ch’i (life breath):
\nAs the heart responds and the brush moves forward, forms are seized with\u00adout hesitation.<\/p>\n

\u97fb Y\u00fcn (resonance and elegance):
\nWhere forms are omitted or elaborated upon, the choice is never vulgar.<\/p>\n

\u601d Si (thought):
\nBy sorting out essentials, the painter conceives the form.<\/p>\n

\u666f Jing (scenery):
\nBy observing the laws of nature and the seasons, he searches out the sub\u00adlime and creates a true landscape.<\/p>\n

\u7b46 Bi (brushwork):
\nThough following certain basic methods, it must move freely and know how to improvise. It must not be too solid or assume too definite a form; it must look as if in flight and constant motion.<\/p>\n

\u58a8 Mo (ink wash):
\nHigh and low peaks are described by a light ink wash, which also makes objects stand out clearly either in shallow or deep recession. The drawing and ink wash are so natural that they do not seem to be made by a brush.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
\"\"<\/a><\/td>\n<\/tr>\n
Wintry Forests and Layered Banks
\nHanging scroll on silk, attributed to Dong Yuan \u8463\u6e90 [ c. 934 – 962 ]
\nKurokawa Foundation\u00a0 \u00a0 |\u00a0 \u00a0 Hyogo\u00a0 \u00a0 |\u00a0 \u00a0 Japan<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Pi-fa-chi (Notes on Brush Method) The six essentials for landscape painting, according to the sage, are : \u6c23 Ch’i (life breath): As the heart responds and the brush moves forward, forms are seized with\u00adout hesitation. \u97fb Y\u00fcn (resonance and elegance): Where forms are omitted or elaborated upon, the choice is never vulgar. \u601d Si (thought): …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,7,5,6],"tags":[],"class_list":["post-7242","post","type-post","status-publish","format-standard","hentry","category-all","category-the-beautiful","category-the-good","category-the-true"],"_links":{"self":[{"href":"https:\/\/www.billtoole.net\/wordpress\/wp-json\/wp\/v2\/posts\/7242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.billtoole.net\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.billtoole.net\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.billtoole.net\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.billtoole.net\/wordpress\/wp-json\/wp\/v2\/comments?post=7242"}],"version-history":[{"count":13,"href":"https:\/\/www.billtoole.net\/wordpress\/wp-json\/wp\/v2\/posts\/7242\/revisions"}],"predecessor-version":[{"id":7298,"href":"https:\/\/www.billtoole.net\/wordpress\/wp-json\/wp\/v2\/posts\/7242\/revisions\/7298"}],"wp:attachment":[{"href":"https:\/\/www.billtoole.net\/wordpress\/wp-json\/wp\/v2\/media?parent=7242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.billtoole.net\/wordpress\/wp-json\/wp\/v2\/categories?post=7242"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.billtoole.net\/wordpress\/wp-json\/wp\/v2\/tags?post=7242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}