Category: the beautiful

Jaipur style

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Krishna with Holi water spray    |    Bikaner – in the Jaipur tradition, circa 1800    |    Goauche and gold on wasli – 14.8 x 10.6 cm
Bikaner royal collection    |    Nazar painting

image thanks to Sanjeev khandekar [ @Chemburstudio ]

Frederic Edwin Church

Church

Frederic Edwin Church [ 1826–1900 ]
Heart of the Andes 1859
66 1/8 x 119 1/4 in [ 168 x 302.9 cm ] MMA NYC

Church

 

Frederic Edwin Church [ 1826–1900 ]
The Aegean Sea  ca. 1877
54 x 63 1/4 in [ 137.2 x 160.7 cm ] MMA NYC

日本語: 胎蔵界

Taizokai

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Womb Realm (garbhakosa-dhatu or taizōkai) mandala. Shingon tantric buddhist school, Heian period (794-1185), Tō-ji, Kyōto, Japan. National Treasure.

The center square represents the young stage of Vairocana. He is surrounded by eight Buddhas and bodhisattvas (clockwise from top: Ratnasambhava, Samantabhadra, Saṅkusumitarāja, Manjushri, Amitābha, Avalokiteśvara, Amoghasiddhi and Maitreya)

Kanō Yoshinobu

sculpture workshop

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Kanō Yoshinobu    |    1552-1640
Buddhist Sculpture Workshop, first half of 17th century
Detail of one of twenty-four hanging scrolls mounted on folding screens, ink and colors on paper, h 58 cm.
Kitain, Saitama

reconstruction of ancient Greek music

[Ancient Greek] instruments are known from descriptions, paintings and archaeological remains, which allow us to establish the timbres and range of pitches they produced.
And now, new revelations about ancient Greek music have emerged from a few dozen ancient documents inscribed with a vocal notation devised around 450 BC, consisting of alphabetic letters and signs placed above the vowels of the Greek words.
The Greeks had worked out the mathematical ratios of musical intervals – an octave is 2:1, a fifth 3:2, a fourth 4:3, and so on.
The notation gives an accurate indication of relative pitch.

link